I won’t spend much time on our regular cast since THEY ARE ALL WEARING THE SAME OLD THING, LOL. I do look forward to the complaints that everyone is bored and “where is the eye candy???”. No doubt they will come.
Anyway, Jamie, Claire and Dougal.
I particularly like this last shot, as it shows you the construction of the waistcoat, and how Sam chooses to wear his kilt.
Just a great shot. A nice example of the choice Ron made to have the Redcoats provide all the red in the show (except the occasional peek of Geillis’s shoes). Makes for a very dramatic visual.
Claire’s nightgown. It is just a lovely, lovely garment. We dyed that gorgeous silk this lush, peach color. I wanted to make something that was clean and sophisticated that would reflect who Claire is and what she would choose, and yet be devastatingly feminine and sexy. The high lace collar shows off her perfect neck. I also wanted it to to slide off in one movement, once you untie that string (originally scripted).
Yes, that is him. I wanted him to have some amazing coat to help give him standing and authority as the Laird. Don’t remember if we see him in a wide shot, but the coat is knee length.
Last, but certainly not the least, our Redcoat officers. I have been wanting to do an entire post about the fine, fine work of my assistant designers, Elle Wilson and Nadine Powell. They are both amazing designers. I cannot do everything on a show this size, so the extras (supporting artists), and most of the supporting cast is done by them, and then approved by me. Their work is so essential to the look of the show. They are the ones who add a lot in terms of texture and authenticity. You can get away with almost ANYTHING on extras, and a lot on the supporting cast. Which on a period show means that is where you can really go in depth, and get it right. No one is going to argue with an extra wearing a cap, or an enormous floppy stock tied into a bow, the way they will with the lead actress or actor.
I am going to do that big piece and then add a segment every episode, to showcase their excellent work.
The redcoat officers –
Remember that we had to make all of the Redcoat uniforms because SOMEONE had to have the perfect shade of red. That means that for a scene like this, you can’t go rent any of these uniforms. If you look carefully, you will notice that no two uniforms are alike. That is because it was not until later that the British Army finally ruled that uniform choices had to be approved. At this time, officers made their own, and some of these have green or blue waistcoats, cuffs, collars or lapels. Different deceptive bits, stocks, etc. Jack Randall wears blue.
Must have been one hell of a parade!